im abendrot eichendorff

a thing remembered even as it passes. Come close and let them slip away; Just two skylarks upwards soar, The simplest translation of the line is “so deep in sunset”; however, both “tief” and “Abendrot” have other shades of meaning. Strauss had also recently been given a copy of the complete poems of Hermann Hesseand was strongly inspired by them. Hugo Wolf, Eichendorff-Lieder, 1889; Richard Strauss, Im Abendrot (littéralement : « Dans le rouge du soir », et donc : « Au crépuscule ») dans le cycle de Lieder appelé les Vier letzte Lieder (les « Quatre derniers lieder »), opus 150; Notes et références Die Entstehungszeit des Gedichtes liegt zwischen den Jahren 1804 und 1857. Is this perhaps death? 5 indispensable guides for fiction writers, … floating on a sea of milk and honey « Pechorin’s Journal, http://opiningforlove.net/into-the-red-of-dusk-a-translation/. Just happened upon your collection and thought I’d share my own Just happened upon your collection and thought I’d share my own poetic, only somewhat literal translation. It is listed as AV 150 in von Asow and Hermann's thematical index, and as TrV 296 in the index of Franz and Florian Trenner. Strauss had also recently been given a copy of the complete poems of Hermann Hesse and was strongly inspired by them. I am sure that some things don’t work the way I did them, so let me know. “tief” most often means “deep”, but it can mean “low”, and it can mean “profound” — even if the poet intended it to mean “deep” and everyone reads it as “deep”, the secondary meaning of “profound” resides subconsciously in their brains. so deep in the afterglow! Do feel free to copy and paste it here, if you feel it is worthy of inclusion. The air is turning dark Come close and let them slip away; Soon it is time to sleep. [1], Strauss had come across the poem Im Abendrot by Joseph von Eichendorff, which he felt had a special meaning for him. by Josef Karl Benedikt von Eichendorff (1788 - 1857), "Im Abendrot", appears in Gedichte, in 4. Frühling und Liebe. Above this silent land. Das Gedicht handelt von einem lyrischen Ich, welches mit seinem Partner die anbrechende Dämmerung und das Ende des Tages beobachtet, welche symbolisch für … “O weiter, stiller Friede” _could_ mean: “O continue/go on/last/further, silent peace” Thanks so much for this Robin. Im Abendrot 1788 Schloss Lubowitz (bei Ratibor, heute: Racibórz) – 26.11. We wandered hand in hand; This page was last edited on 9 December 2020, at 04:12. However, I think it also conveys Eichendorff’s subtle linking of the deepness of late evening and the end of life. I tried my hand at translating it. In evening’s final breath (translated by Robin Wallace). Be careful not to lose our way By day you’d see. nachträumend in den Duft. from wandering we now rest Change ). Roth's 1950 published sequence follows neither the order of composition of the songs (Im Abendrot: May 6, 1948; Frühling: July 20, 1948; Beim Schlafengehen: August 4, 1948; September: September 20, 1948) nor that of the 1950 premiere (by Kirsten Flagstad conducted by Wilhelm Furtwängler). It’s time for us to sleep; Nun überm stillen Land. Might this perhaps be death? Oh rest so long desired ューマン，ロベルト ～Liederkreis リーダークライス Op.39 In der Fremde before the deepening gloom It’s almost time to sleep Dreaming soar two larks, Come close to me and let them twirl How can we feel so tired? Tritt her und lass sie schwirren, Gedichtinterpretat­ion 4.Mai 2019 Die Gedichte Im Abendrot und Warum fürchte ich mein Altern entstanden in zwei verschiedenen Zeitepochen, befassen sich jedoch mit dem selben Thema, dem Tod. --Authorship. Im Abendrot (Eichendorff) Song by Elisabeth Schwarzkopf from the album R.Strauss: Vier letzte Lieder - Capriccio - Arabella. UPDATE: A contemporary re-imagining of Im Abendrot by Neil Fulwood. Around us, the valleys bow, Dass wir uns nicht verirren On all hands the valleys slope, we may rest from wandering At least, the phrase is ambivalent. Eine Zuordnung des Gedichtes zur Epoche Romantik kann auf Grund der Entstehungszeit des Gedichtes bzw. and plucks from you vom Wandern ruhen wir Glad to speak with someone else who likes this lovely poem. Two larks alone, their dreamy course From wandering rest we now And darkness fills the sky. Ringed by valleys leaning o’er, (For awhile I was planning to do translations of fantasy stories as my undergrad thesis, so this is a subject near & dear to my heart.). Of wandering we are tired appropriate poetic image in English for “so tief im Abendrot” in order ("At sunset") Two larks alone, their dreamy course Through fragrant evening fly. No. So tief im Abendrot. a scythe of light on coastal water. Ist dies etwa der Tod? He set three of them – Frühling, September, and Beim Schlafengehen – for soprano and orchestra, and contemplated setting two more, Nacht and Höhe des Sommers, in the same manner. Note: the texts for the first three songs, by Hermann Hesse, are copyrighted until 2032, and therefore cannot be reproduced on Wikipedia. 1. I do wish I could credit the artist…. the small details that gave it life We have, through hardship and joy So sound in the evening glow. However, I think it also conveys Eichendorff’s O further, silent peace! This item is available to borrow from 1 library branch. on the silent land. The valleys lie in shadow, ( Log Out /  we breathe the sweet night stolen by an horizon brought nearer, by twilight, gathered up, Im Abendrot wurde von dem Romantiker Joseph Freiherr von Eichendorff verfasst, im Jahr 1841 veröffentlicht und handelt von einem Paar, welches viel erlebt hat und nun langsam dem Tod ins Auge … Through sorrow and life’s happiness The conductor is Christoph von Eschenbach. The air to darkness bent; We are weary to the bone. Im Abendrot Alt ernative. Wie sind wir wandermüde-- Sorry I couldn’t get the verses to align quite right, even on the second try. Is this death finally calling us home? Frühling und Liebe  [author's text checked 1 time against a primary source] See other settings of this text. and almost on the edge of sight, Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Only two larks soar Rings sich die Täler neigen, Es dunkelt schon die Luft, Zwei Lerchen nur noch steigen Nachträumend in den Duft. And this is the main rason I love damiengwalter.com. reminiscently into the haze. Lest we err and go astray Sorry, your blog cannot share posts by email. Is this our sense of death? I tried to keep it very literal. You see, I knew I had smart friends! How tired we are of wandering. Der Autor des Gedichtes „Im Abendrot“ ist Joseph von Eichendorff. How tired we are of wandering. in the rearview mirror, you pull over. With the valleys as our carpet posth (2000 Remastered Version): IV. Might this perhaps be death? I’m collecting translations of the poem ‘Im Abendrot’ by Joseph von Eichendorff, which was the basis of the final work by Richard Strauss of the same title. to preserve the rhyme. we are both at rest from our wanderings posth (2000 Remastered Version): IV. Suffused with this sun’s last breath All four songs, written for soprano and orchestra, are settings of poems: “Frühling” (Spring), “September”, and “Beim Schlafengehen” (Going to sleep) are by Hermann Hesse, and “Im Abendrot” is by Joseph von Eichendorff. The item Im Abendrot, Richard Strauss ; [Gedichte von] Eichendorff represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Bowdoin College Library. We love to see them play and sing All suggestions welcome. we are of wandering. of distant hills a county away, UPDATE: A new translation sent to me by Richard Gardner. How tired In solitude so deep. Note that I’ve supplied an for the final time now, in the evening, ): Adolf Jöhr and his wife Composer Time Period Comp. At Gloaming ( Log Out /  Hi, Who was the translator for the first one titled ” Evening”? What broad and silent peacefulness What broad and silent peacefulness —Josef von Eichendorff, “Im Abendrot” from Frühling und Liebe (1841) (S.H. nun überm stillen Land. finding peace in the sun gone hand in hand; Soon it is time to sleep. daß wir uns nicht verirren Wir sind durch Not und Freude . The valleys lie in shadow, And darkness fills the sky. Note that I’ve supplied an appropriate poetic image in English for “so tief im Abendrot” in order to preserve the rhyme. The words matched the composer’s feelings entirely, and became the inspiration for the start of a five-song cycle which he never completed. gegangen Hand in Hand; Set in the evening’s dark red glow Now Tritt her und laß sie schwirren, Bald ist es Schlafenszeit, Daß wir uns nicht verirren In dieser Einsamkeit. so deep at sunset. Would that we not lose ourselves Walking hand in hand The overall title Four Last Songs was provided by Strauss's friend Ernst Roth, the chief editor of Boosey & Hawkes, when he published all four songs as a single unit in 1950, and in the order that most performances now follow: "Frühling", "September", "Beim Schlafengehen", "Im Abendrot".[4][5]. Hi Caroline, that’s a wonderful translation. How tired we are of travelling – is this perchance death? With sunset red the breadth! Let’s rest from all the wanderings Eichendorff wurde im Jahr 1788 geboren. Oh let us not forget our goal We sense the night’s soft breath Im Abendrot Year/Date of Composition Y/D of Comp. that we don’t go astray O vast, tranquil peace, Through sorrow and life’s happiness We’ve journeyed hand in hand. es dunkelt schon die Luft, Rings sich die Täler neigen, Es dunkelt schon die Luft, Zwei Lerchen nur noch steigen . "), Strauss musically quotes his own tone poem Death and Transfiguration, written 60 years earlier. Im Abendrot . Here, on this silent land, The valleys slip beneath us soon it is time to sleep, nachträumend in den Duft. Come and let them whirl away, The valleys fold around themselves The orchestra is not named. The infinite peace of earth which rise and level out transl.) If I realize I’m not doing any useful work today, I’ll come back and do a raw/literal work-through of the rest of the poem for you; my disclaimer is I’ve only had one semester of German, so my grammar may be a little bit off in places. a darkness that takes the evening. From roaming we rest Though he could not be present, the music-loving maharaja put up a $4,800 guarantee for the performance, so that the Four Last Songs could be recorded for his large personal collection – then estimated at around 20,000 records – and the recording then shipped to him in Mysore. Jackson suggests that the addition of "Ruhe, meine Seele!" Come close and let them slip away; Oh let us not forget our goal In solitude so deep. Das Gedicht besteht aus vier Strophen, mit jeweils vier Versen. the village a string of lights Soon [9], Timothy L. Jackson has noted that Strauss had composed the song "Ruhe, meine Seele!" "The universe is made of stories, not atoms. Bovendien had hij net een exemplaar gekregen van de complete gedichten van Hermann Hesse, die hem inspireerden tot de muziek voor Frühling, September en Beim Schlafengehen. So tief im Abendrot. Es beschreibt ein Paar, das nach dem gemeinsamen Lebensweg erschöpft ist und den Tod kommen sieht. In solitude so deep. We celebrate it in the splendid company of Dame Kiri Te Kanawa and Sir George Solti, with a musical rendition of his poem 'Im Abendrot'. Around us, the valleys bow; We wandered hand in hand Towards the end of 1946, Strauss read a poem by Eichendorff, ‘Im Abendrot’, in which an ageing couple at the end of their lives together look at the setting sun and ask, ‘Is that perhaps death’. The darkling air grows still One of the last wishes of Richard Strauss was that Kirsten Flagstad be the soprano to introduce the four songs. What broad and silent peacefulness In evening’s final breath. ( Log Out /  I’m particularly interested in the second line of the last verse, most often translated as ‘So deep at sunset’ and other possible translations. of boundaries marked by walls of stone; and further still: a hint Release Date May 22, 1950. O weiter, stiller Friede! The site admin here is not very active, as witness my thread above, so I would suggest simply creating your own WordPress account and then you yourself posting your translation here. But you see it (imagine) The title Four Last Songs was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit in 1950 after Strauss's death. poetic, only somewhat literal translation. a silence that is absolute, Frühling 4. Change ), You are commenting using your Twitter account. So tief im Abendrot, Wie sind wir wandermüde -- Ist [das] 3 etwa der Tod? Stand here and let them whirl, Come close to me and let them fly about; your valediction: the one name UPDATE: I have added a new translation contributed by Robin Wallace, and the amazing performance by Jessye Norman of Richard Strauss ‘Im Abendrot’. Above this silent land. Although most recordings adhere to Roth, some stay with Flagstad/Furtwängler – Beim Schlafengehen, September, Frühling, Im Abendrot. on a verge of hardened soil, that never left your heart, Through sorrow and life’s happiness Tritt her und lass sie schwirren, Bald ist es Schlafenszeit, Dass wir uns nicht verirren In dieser Einsamkeit. Day-dreaming in the scent. through joy and suffering the road unlit and signless at your back, and look across the land within this loneliness. ", UPDATE: A new translation sent to me by Richard Gardner, UPDATE: A contemporary re-imagining of Im Abendrot by Neil Fulwood. dreaming of light. νικά Български Русский Српски العربية فارسی 日本語 한국어 How lost our ways beginning! Im Abendrot Wir sind durch Not und Freude Gegangen Hand in Hand: Vom Wandern ruhn wir beide Nun überm stillen Land. I’m collecting translations of the poem ‘Im Abendrot’ by Joseph von Eichendorff, which was the basis of the final work by Richard Strauss of the same title. Now we may rest from wandering The poem seems to have inspired Strauss to compose a work that would prepare him for death. Gedichte Eichendorff: ‘Im Abendrot’ vertont von Richard Strauss Evening light: It's the 225th birthday of the Romantic poet Joseph von Eichendorff (1788–1857). Imagine: while driving home, settling in a quiet land. es dunkelt schon die Luft. Es handelt von einem alten Paar, das dem Tod entgegengeht. Of wandering grow we so weary – Towards the end of "Im Abendrot", after the soprano's intonation of "Ist dies etwa der Tod?" Wir sind durch Not und Freude We have, of need and joy, I see from the more literal translations that artistic license has been taken, but beautifully done. And darkness fills the sky. Written By Richard Strauss & Joseph von Eichendorff. How tired we are from roaming– The combination of a beautiful vocal line with supportive horn accompaniment references Strauss's own life; his wife Pauline de Ahna was a famous soprano and his father Franz Strauss a professional horn player. O vast, tranquil peace! in this solitude. Thai Curry Vegan, Burrito Rezept Vegan, Unangenehmen Fragen An Mädchen, , Burrito Rezept Vegan, Unangenehmen Fragen An Mädchen, Now we may rest from wandering Above this silent land. They became badly worn before the first LP transfer, which was generally considered very poor. now above the quiet land. nun überm stillen Land. in this solitude. in the deep evening! Thank you. The work has no opus number, and was published in 1950 after Strauss's death. P.S. two larks our companions Im Abendrot (At Sunset)(translated by Richard Gardner). Above the silent lands, Dusk comes the vales exploring With the exception of the song "Malven" ("Mallows") composed later the same year,[3] the songs are Strauss's final completed works. Wie sind wir wandermüde– in dieser Einsamkeit. gegangen Hand in Hand; ( Log Out /  Das Gedicht „Im Abendrot“ von Joseph von Eichendorff wurde 1841 veröffentlicht und lässt sich demnach der Epoche der Romantik zuordnen. I’m collecting translations of the poem ‘Im Abendrot’ by Joseph von Eichendorff, which was … 1857 Neisse (Nysa) – Gedichte-Wegweiser of smoke, the dotted lines Play Vier letzte Lieder, Op. Strauss had come across the poem Im Abendrot by Joseph von Eichendorff, which he felt had a special meaning for him. It sounded like the one used in the film ” Amnesia “. Vast and silent stillness fired Joseph Karl Benedikt Freiherr von Eichendorff (March 10, 1788 – November 26, 1857) was a German poet and novelist of the later German romantic school. and stretch away. In evening’s final breath. hand in hand; "A closer look at Strauss' transfiguration ending", "Richard Strauss: Four Last Songs &c. Renee Fleming, Munich Philharmonic, Christian Thielemann (Decca) ***", "FURTWÄNGLER Conducts Richard Strauss – PASC407", Grove's Dictionary of Music and Musicians, " 'Malven': Richard Strauss's 'Letzte Rose!' IFS 358 Key A-flat major (both versions) Movements/Sections Mov'ts/Sec's: 1 song (2 versions): Sehr langsam, mit gehobener Dämpfung (1st version) Langsam, feierlich (2nd version) Text Incipit The songs meditate on life, death, and the transition into “the magic circle of the night.” In 1946, Strauss discovered Im Abendrot, a poem by the great lyric poet Joseph Eichendorff (1788—1857). Through misery and pleasure, They were composed in 1948 when the composer was 84. In solitude this deep. Joseph von Eichendorff (1788-1857) Language German Dedication No.3 (? "[7], The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950, sung by Flagstad, accompanied by the Philharmonia Orchestra conducted by Wilhelm Furtwängler. Alone two skylarks soaring we must keep going on. Thank you all for the many inspiring contributions to this Im Abendrot discussion. Strauss died in September 1949. Nachträumend in den Duft. Here’s is my attempt: http://opiningforlove.net/into-the-red-of-dusk-a-translation/. Subsequent restorations using modern digital technology were effected in 2007 by Roger Beardsley for Testament Records,[8] and in 2014 by Andrew Rose for Pristine Audio. Above the tranquil land. (Text: Joseph von Eichendorff). Translation of 'Im Abendrot' by Joseph von Eichendorff (Joseph Freiherr von Eichendorff) from German to English (Version #2) "I would like to make it possible," he wrote to her, "that [the songs] should be at your disposal for a world premiere in the course of a concert with a first-class conductor and orchestra. Might this perhaps be death? And now we take our leisure, Director of creative writing at UoL, published with OUP and Cambridge. ", Richard Georg Strauss (1864–1949). Only two larks still soar wistfully into the balmy sky, Come here and let them fly about; soon it is time for sleep He produced a vast oeuvre during his short life, composing more the 600 vocal works (largely Lieder), and well as several symphonies, operas, and a large body of piano music. Toen Strauss het gedicht Im Abendrot van Joseph von Eichendorff in mei 1948 tegenkwam, kreeg hij onmiddellijk het gevoel dat het een bijzondere betekenis voor hem had, en zette het op muziek. We must not go astray in this solitude. In the Evening (by Neil Fulwood) The songs are scored for piccolo, 3 flutes (3rd doubling on 2nd piccolo), 2 oboes, English horn, 2 clarinets in B-flat and A, bass clarinet, 3 bassoons (3rd doubling on contrabassoon), 4 horns in F (also E-flat and D), 3 trumpets in C, E-flat and F, 3 trombones, tuba, timpani, harp, celesta, and strings. Stunning posts. Die Strophen sind in einem Kreuzreim geschrieben und die Kadenzen wechseln in jedem Vers passend mit dem Reimschema. soon it will be time to sleep; “Im Abendrot” (“At sunset”) (Text: Joseph von Eichendorff) Wir sind durch Not und Freude gegangen Hand in Hand; vom Wandern ruhen wir nun überm stillen Land. Even though we are alone D.799 I-Catalogue Number I-Cat. ("Is this perhaps death? Period: Romantic: Piece Style Early 20th century: Instrumentation Voice: soprano Can this perhaps be death? As in that piece, the quoted seven-note phrase (known as the "transfiguration theme") has been seen as the fulfillment of the soul through death.[6]. Rings sich die Täler neigen, Es dunkelt schon die Luft, Zwei Lerchen nur noch steigen Nachtträumend in den Duft. Oh broad and peaceful silence already darkens the air, Literatur im Volltext: Joseph von Eichendorff: Werke., Bd. shadow, They are suffused with a sense of calm, acceptance, and completeness. We have gone through joy and sorrow Tritt her und laß sie schwirren, He also embarked on a choral setting of Hesse's … so that we don't get lost Contributor to The Guardian, Independent, BBC, Wired, Buzzfeed and Aeon magazine. for piano and voice in 1894 from a poem by Karl Friedrich Henckell, but did not orchestrate it until 1948, just after he had completed "Im Abendrot" and before he composed the other three of his Four Last Songs. http://lyricstranslate.com/en/im-abendrot-sunset.html-0. and turn the engine off, bald ist es Schlafenszeit. Vier letzte Lieder / Four Last Songs, Dance suite from keyboard pieces by François Couperin, Divertimento for chamber orchestra after keyboard pieces by Couperin, https://en.wikipedia.org/w/index.php?title=Four_Last_Songs&oldid=993171012, Classical musical works published posthumously, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, von Asow, Mueller and Erich Hermann (1974). Through want and joy we have walked hand in hand; hidden beneath silence and darkness, In each of the four songs, Strauss, now at the end of his own life, ponders the approach of death. the air is growing darker; UPDATE: I have added a new translation contributed by Robin Wallace, and the amazing performance by Jessye Norman of Richard Strauss ‘Im Abendrot’. Twilight (Trans. Ist dies etwa der Tod? Hermann Hesse (1877-1962) 4. Change ), You are commenting using your Google account. Come here and let them swirl, Currently travelling the world and writing a book. We’ve journeyed hand in hand. Rings sich die Täler neigen, the air already darkens. "Im Abendrot" ist ein Gedicht der Romantik. Franz Peter Schubert was an late Classical and early Romantic composer. The performance was made possible by a magnanimous effort of the Maharaja of Mysore, Jayachamarajendra Wadiyar Bahudar. a text in German (Deutsch) by Josef Karl Benedikt von Eichendorff (1788 - 1857), "Im Abendrot", appears in Gedichte, in 4. Gegangen Hand in Hand, Vom Wandern ruhn wir beide . The Four Last Songs (German: Vier letzte Lieder), Op. Four Last Songs Richard Strauss. Through sorrow and joy posth., for soprano and orchestra are – with the exception of the song "Malven" (Mallows), composed later the same year – the final completed works of Richard Strauss. let us not lose our way He set three of them – Frühling, September, and Beim Schlafengehen – for soprano and orchestra, and contemplated setting two more, Nacht and Höhe des Sommers, in the same manner. Through fragrant evening fly. The valleys lie in hello damien, this a very beautifull project of yours and I do agree : the interpretation of the Strauss’s Im Abendrot by jessye norman and kurt mazur is the most touching I ever heard…. Now let us pause at last der Lebensdaten des Autors vorgenommen werden. Had just listened to the Jessye Norman and was googling for the lyrics and found this blog post. The solitude is deep. as dark comes on, the fields dull slabs In song their dreams fulfill, Draw close and leave them singing That’s a lovely translation. Alone two larks still soar Soon will be time to sleep 1950 Librettist see below 1–3. He also embarked on a choral setting of Hesse's Besinnung, but laid it aside after the projected fugue became "too complicated".[2]. in this solitude. Rings sich die Täler neigen, Writer and storyteller. We have gone through sorrow and joy Das Gedicht „Im Abendrot” von Joseph von Eichendorff wurde im Jahre 1841 verfasst. to the Four Last Songs forms a five-song unified song cycle, if "Ruhe, meine Seele!" The settings are for a solo soprano voice given soaring melodies against a full orchestra, and all four songs have prominent horn parts. Is this perhaps death? two larks soar still We are both resting from out travels now, in the quiet countryside, Around us the valleys fold up, already the air grows dark, a wealth of smaller things: "Im Abendrot" Track Info. Ontstaan. Renee Fleming sings the 4th of Strauss' vier letzte lieder. 1, München 1970 ff., S. 234.: Im Abendrot bald ist es Schlafenszeit, Up into the balmy sky we have gone hand in hand; Come close, and let them flutter, Wir sind durch Not und Freude two larks only still ascend Go to the text page. Listen to Elisabeth Schwarzkopf sing the Richard Strauss setting of Eichendorff’s “Im Abendrot” from Vier letzte Lieder (1946) with George Szell and the Cleveland Symphony Orchestra. However, he was not yet ready to put down his pen – his imagination had been caught by a piece by the lyric poet Josef von Eichendorff, Im Abendrot (In the Evening Glow), and he set to work turning it into an orchestral song. We’ve journeyed hand in hand. The latter include Sena Jurinac's 1951 recording with the Stockholm Philharmonic conducted by Fritz Busch; Lisa Della Casa's 1953 recording with the Vienna Philharmonic under Karl Böhm; and Felicity Lott's 1986 recording with the Royal Scottish National Orchestra under Neeme Järvi. Ivan Grosz) now above the silent land. O weiter, stiller Friede! O spacious, tranquil peace, so profound in the gloaming. farmhouse chimneys capped with drifts Oh let us not forget our goal “Abendrot” is a fun German compound, and translates literally as “evening-red”; the definition can be “sunset” or “afterglow”. 1947-49 First Pub lication. This text was added to the website: 2013-12-11 Line count: 16 Word count: 90 Eichendorff, Joseph von - Im Abendrot & Trakl, Georg - Verfall (Vergleich) - Referat : der Romantik verfasst, handelt von einem älteren Paar, das langsam auf den Tod zu geht. Dies spiegelt sich in der Ruhe, Harmonie und Sanftheit des Gedichts wider. Listen Vier letzte Lieder, Op. In evening’s final breath. then step out of the car and stand vom Wandern ruhen wir beide

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